Contents
List of Plates & Tables xi Acknowledgements xiii Preface xiv
Hunter, Hunting and a Yoruba World 1
Introduction 1 Ìgbẹ́ Alágogo: A glimpse into the hunters’ world
Folklore and redefinition of performance
Scope and methodology
Art, the Hunter’s World and the Death of Fixity
Introduction
The performance art of hunters’ narratives
Ìbà (Acknowledgement and appeal)
Proverb 19 Oríkì
Ọfọ̀ incantation
Ìjálá, Ìrèmọ̀ jé and the hunter’s allergy to fixity
Conceptualising narrativity between fact and fiction
The Hunter and the Other
Introduction
Dualism, African cultural discourse, and the hunter
Man the hunter and the supernatural
Forest the indeterminate
Negotiating the Formidable
Introduction
The hunter, the Other and the limits of man
Familiarisation and defamiliarisation
Truth, mythmaking and management of credibility risk 80 Language and the portrait of anOther world
The Hunter on the Airwaves
Introduction
The ethic of silence and the imperative of narrativity
Broadcast media and the ‘sin’ of narrative reconstruction
Conclusion 100 Appendix A: The narrative of Músílíù Àlàgbé Fìríàáríkú
Appendix B: The narrative of Rábíù Òjó
Appendix C: The narrative of Jọ́ ògún Àlàdé
Appendix D: The narrative of Ògúnkúnlé Òjó
Appendix E: The narrative of Ọláníyì Ọládèj̣ ọ Yáwóọ̣ ré ̣
Appendix F: The narrative of Kọ̀bọmọjẹ́ Àlàdé 120 References
Index






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