cOntents
preface and acknowledgments
introduction: the Modernity of heritage
chapter 1
heritage as source:
histories and images of Osun Osogbo
chapter 2
heritage as novelty:
revitalizing Yoruba art in the spirit of Modernism
chapter 3
heritage as project:
hybridity and the reauthentication of the Osun grove
chapter 4
heritage as style:
travel, interaction, and the branding of Osogbo art
chapter 5
heritage as spectacle:
image and attention in the Osun Osogbo festival
chapter 6
heritage as remembrance:
history, photography, and styles of imagination
chapter 7
heritage as control:
from art and religion to Media and Mediation
coda: a final note on heritage as presence
notes
bibliography
index






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